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2011年4月26日 星期二

「陳麗玲畫廊」命名儀式暨酒會


「陳麗玲畫廊」命名儀式暨酒會

慈善家及教育家陳麗玲女士一生積極推動公益慈善和教育事業的發展,陳氏家屬為了紀念和弘揚陳麗玲女士無私奉獻的精神,特地贊助藝穗會一個畫廊。並於4月27日星期三下午5點半在藝穗會舉行命名儀式和酒會,屆時會有陳耀璋先生的支票贈送儀式。陳耀璋先生自一九九五年服務於藝穗節董事會,並貢獻其專業知識,擔任名譽司庫。

陳麗玲女士從六十年代起已參與街坊福利工作;一九七八年加入香港公益金,積極籌款幫助有需要的人和社群,一九九一年擔任執行委員會主席,為慈善付出無限的力量;她更繼承及發揚丈夫陳樹渠先生致力發展教育事業的遺志,創立陳氏教育機構,至今已培育了眾多傑出人才。

陳氏後人不但繼承了陳麗玲女士積極推動公益慈善和教育事業的精神,更將其影響推動至香港本地藝術文化領域。陳氏家族多年來為社會作的貢獻,深受社會人士的讚賞。

藝穗會為非牟利機構及慈善團體,座落於一級歷史建築物,一直本著開放及創作自由的原則,致力為從事不同藝術形式的本地及外來藝術家服務,營造在香港、國內及海外展出及表演的環境,並積極為他們建立溝通的管道。是次陳氏家族與藝穗會的聯繫,必定為推動和培育本地藝術文化發展營造一個更優秀的環境。


媒體查詢:
Ms. Ice Chen 陳燕冰 ice@hkfringeclub.com或2525- 4416
Ms. Claire Leung 梁麗朗 claire@hkfringeclub.com 或 2521-7251

2010年10月14日 星期四

Shanghai Expo:HongKong Week

Hong Kong Fringe Club “Swing for All”

Date: October 19Time: 2:30pm and 4pm
Date: October 20 Time: 4pm and 6pm
Venue: Baosteel Stage (Large), Expo Park, Pudong
Swing dance and swing music emerged in the same era but went on to develop separately. As a result, performances of both at the same event became less frequent. Now, almost a century on, Hong Kong’s Saturday Night Jazz Orchestra and 30 dancers from Shanghai Swings have joined forces to create a swing party featuring dance and music in a nostalgic step along memory lane.
Approx 1 hour
Programme Enquiries:(852) 2521 7251/
Hong Kong Fringe Club
(86 21) 6272 0440/ The Center for China Shanghai International Arts Festival
Jointly presented byThe Leisure and Cultural Services Department of the Hong Kong SAR GovernmentThe Center for China Shanghai International Arts Festival
In collaboration withShanghai Swings

2009年7月21日 星期二

SCMP: Talkback The E-mail Forum

SCMP: Talkback The E-mail Forum


1 July 2009




I am a member of The Fringe Club and have organised both literary and musical events there.



The Fringe is a private not-for-profit organisation that seeks to promote the arts. The food and beverage element of the club is, I feel, an enhancement to the multi-use format of the diverse spaces within. It also generates income, without which it would be obliged to charge commercial rates for venue-hire, or operate a stringent selection policy to ensure the financial viability of participating artists.



It is to the Fringe's credit that it does neither and has thus been a vital resource for emerging talent that might struggle to get an airing elsewhere.



The intimate studios are an ideal size for experimental theatre, poetry readings and traditional arts activities and are well utilised by the entire artistic community. I believe that the renovations, (notification was given many months ago to all concerned) are required under fire-safety regulations. The club will have to close for some considerable time and will suffer the loss of a non-trivial amount of space.



I agree that the government should nurture pottery and all other art-forms. I hope that the new cultural hub will incorporate facilities that are accessible by fringe and mainstream groups alike.


The Fringe should be commended for providing a home for The Pottery Workshop for so many years, however through no fault of its own, circumstances have changed and it requires the space for the benefit of the whole artistic community.


David McKirdy, Sai Kung

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